Direct · Modulation · Music theory
The simplest way is to prepare nothing: one phrase ends and the next begins in another key, often a whole or half step higher. It has great force, and is…
Direct
The simplest way is to prepare nothing: one phrase ends and the next begins in another key, often a whole or half step higher. It has great force, and is very common in pop, to lift the last chorus, and in popular songs. It depends on contrast.